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Year: 2019

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The Best frontman of all time... and of course the Sexiest... Michael Hutchence Rest In Peace! INXS 🙏🏻. VIVA AUSTRALIA. I can relate to the glasses/vision thing too: when I first got mine I saw the individual oranges on the trees while driving on a highway thru a grove: individual oranges and leaves from relatively far away! I was giddy! I recall the ophthalmologist telling me you're going to see things you never knew existed. twas true.

This was my song🔥🔥🔥real music from real singers. I miss real artists 🤭🤭

RIP, Michael Hutchence. You left us too soon. Yeah, it's an INXS kind of day. I know what I need... a time machine. RIP Mr Hutchence and respect to INXS. MÚSICA PARA SEMPRE. MUITO BOA. Man theres an innocence to this video. This is before they became international rock stars and it becomes a business. Like when you first start a band and do it for the love. Michael para sempre em nossos ❤, vc que era lindo. Sorry young. LOOOOOOOOOOOVE IT. Published on Sep 24, 2019 Tickets now on sale at - INXS’s legendary 1991 Wembley Stadium gig shown will be shown in cinemas for the very first time, from November 14 2019. The show has been fully restored from the original 35mm print to create a new widescreen 4K Ultra HD version, and the film also now includes a previously unseen ‘lost’ track and a brand new Dolby Atmos audio mix by the band’s Executive Music Producer Giles Martin and Sam Okell, created at Abbey Road Studios. This stunning concert film will be in cinemas in Australia and New Zealand from November 14, North and South America from December 9, and internationally from November 27. To book your tickets, go to. Pre-order Live Baby Live.

A remastered concert film and a new documentary reposition the Australian band for the digital age. Credit... Eagle Rock Films In the opening scenes of the concert film “Live Baby Live, ” INXS bangs out “Guns in the Sky, ” an anti-nukes anthem from its six-times-platinum 1987 album “Kick. ” As beats reverberate across London’s old Wembley Stadium, the Australian rock band’s appeal leaps to life: funky guitar rhythms, saxophones, tight trousers and the soulful flow of the singer Michael Hutchence’s voice. The movie, which captured the band’s July 1991 show before a crowd of nearly 74, 000, has been fully restored from its original 35 mm print, and is rolling out in theaters across the globe in 4K Ultra HD; Monday it comes to America for a one-day-only event. It will be followed on Jan. 7 by “Mystify, ” a biographical documentary about Hutchence directed by Richard Lowenstein. Taken together, this is a rare moment of visibility for a band that achieved global superstardom but has been notably absent in the digital age. “It may seem preposterous, but I hope young musicians will see the film and say, ‘Let’s be different. Let’s be like this, ’” Tim Farriss, one of the band’s founders and its lead guitarist, said of “Live Baby Live” in a phone interview from Australia. INXS — which included Tim Farriss’s siblings Andrew (keyboards) and Jon (drums), along with Kirk Pengilly (guitar, saxophone), Garry Gary Beers (bass) and Hutchence — started out as the Farriss Brothers in 1977. After years of writing and performing, INXS broke out in the United States in 1983 with an MTV video for “ The One Thing ” that helped push the song into the Top 40. The band followed up with a freight train of high-energy hits: “What You Need, ” “Need You Tonight, ” “New Sensation, ” “Suicide Blonde” and “Beautiful Girl. ” But the group’s popularity started to wane around the time of its 1993 album “Full Moon, Dirty Hearts, ” and in 1997 Hutchence hanged himself in a Sydney hotel room. He was 37. The band went on hiatus, and returned with a series of guest singers, including Terence Trent D’Arby in a gutsy 1999 stadium performance. In 2005, it searched for a new vocalist on a CBS reality show, “Rock Star: INXS, ” carrying on with the winner, J. D. Fortune, on and off until 2011 (though the experiment wasn’t as successful as Queen’s tours with Adam Lambert, or Journey’s live work with the singer Arnel Pineda). In 2012, INXS announced it was stopping touring entirely. “Live Baby Live” captures INXS at its peak; “Mystify” uses intimate interviews with Hutchence’s inner circle (U2’s Bono, Kylie Minogue and the model Helena Christensen) to paint a soft-focus picture of the singer. The documentary reveals the brain damage he suffered after an altercation with a taxi driver in 1992, and quells, but never dispels, speculations about why he hanged himself. Both films prompt questions about the band’s subsequent struggles to translate worldwide record sales of more than 50 million into lasting visibility. Hutchence’s influence on other rock frontmen was profound: “Bono and I both lifted from him a lot, ” Michael Stipe of R. E. M. said in a recent interview. “As a performer, my God, he was equal to none. Not unlike seeing Elvis Presley at his greatest. ” At a November concert in Sydney, Bono called Hutchence “a true beauty. ” But the singer’s death came at a moment of transition for the music industry: right before Napster’s rise. The result was a “ lost decade ” of music sales and “ deleted years ” of MP3 files until streaming services, which restored the idea that music wasn’t free, overtook downloads. In some ways, the internet swallowed INXS. In the years after Hutchence’s death, “everything changed rapidly, ” said the producer Giles Martin, who remastered the sound for “Live Baby Live” at Abbey Road Studios. “If you look at someone who is comparable to Michael Hutchence, like Jim Morrison from the Doors, that band didn’t suffer the same sudden changes in technology as INXS did, ” which had an impact on its legacy, he said. Still, a younger generation has spoken up about the band’s influence, particularly women artists such as London Grammar’s Hannah Reid, Paloma Faith, Courtney Barnett (who sang the whole “Kick” album) and Bishop Briggs, who said her take on “Never Tear Us Apart” for the “Fifty Shades Freed” soundtrack last year gave her a deep appreciation for Hutchence’s “soulful essence. ” The singer Ben Harper, who performed on INXS’s 2010 album “Original Sin, ” believes there’s still time for the band to be discovered. “The music isn’t going anywhere, it will be here as long as humans let it, ” he said. “INXS stands out, because not a lot of the bands from the 1980s had those pop sensibilities with a true rock edge. ” Last month, the Matchbox 20 singer Rob Thomas performed with INXS’s Andrew Farriss in Australia to mark the anniversary of Hutchence’s death. “More people should have been saying the name Michael Hutchence as much as they said Prince, Madonna or any of the other great icons from that era, ” Thomas wrote in an email, adding that a resurgence could be right around the corner, “maybe a film or television moment that brings them back into the grand consciousness. They certainly should be in the Rock & Roll Hall of Fame. ”.

Michael Hutchence of Inxs during 1990 MTV VMA's Rehearsal at Universal Amphitheater in Universal... [+] City, CA, United States. (Photo by Jeff Kravitz/FilmMagic, Inc) FilmMagic, Inc On July 13, 1991, INXS performed in front of 74, 000 people at a sold out Wembley Stadium in London, England. It was the band’s largest concert to date as frontman Michael Hutchence would inform the crowd on stage, a moment captured by director David Mallet during the group’s first live concert film Live Baby Live. The concert was filmed 28 years ago on sixteen 35 mm cameras. A helicopter provided sweeping aerial shots of the band on stage amidst the iconic Wembley throng. The newly restored film will be presented in cinematic widescreen, featuring sound remastered in Dolby Atmos by Giles Martin and Sam Okell at Abbey Road studios, when it hits theaters for one night only courtesy of CinEvents / Eagle Rock Films / Fathom Events on December 9. While the 1991 show, part of the group’s massive world tour in support of its seventh studio album X, stood as their biggest headlining performance, it wasn’t the first time INXS performed at Wembley. Five years prior, almost to the day, the group did two shows at Wembley Stadium on July 11 and 12, 1986 as the opening act for Queen during the “Magic” tour (the group’s final full tour with singer Freddie Mercury). Remarkably, the pair of 1986 shows fell exactly one year after Queen’s triumphant Wembley performance at Live Aid and loomed large for INXS five years later as they recorded their own headlining performance at the stadium. “It wasn’t an entirely easy concert for us to do, the two nights, ” said INXS guitarist Tim Farriss of the opening slot. “After the first night, I was standing where Brian May would stand and the hardcore Queen fans are right down in the very front throwing loaves of bread at us. And we still got a great reaction and it felt like a great gig but it was like, ‘Well, I’ve never had anything thrown at me before…’” the guitarist joked. “When we got to do it ourselves, it was like, ‘There won’t be any bread tonight! ’” LONDON, UNITED KINGDOM - JUNE 24: Tim Farriss and Michael Hutchence of INXS perform on stage on the... [+] 'Kick' tour at Wembley Arena on June 24th, 1988 in London, United Kingdom. (Photo by Pete Still/Redferns) Redferns In 1989, the Rolling Stones launched their enormous “Steel Wheels” world tour, creating an arms race in terms of concert production that still hasn’t stopped. But Live Baby Live is a stripped down affair in comparison that thrives thanks to a great band firing on all cylinders, the incomparable presence of one of rock’s all time great frontmen and a Wembley crowd characteristically teetering on the brink of being out of control. “We’d played Wembley Stadium before with Queen and they’re amazing. But that had to be a typical English rock extravaganza, which happens really at every stadium show you see. But we didn’t go for images of ourselves or balloons or grand pianos, backing vocalists, dancers or anything like that. It’s just the six of us, ” Farriss explained. “And Michael hardly even says anything! I just sat there going, ‘Wow! I can’t believe we did that. And I can’t believe the audience loved it that much. ’ I mean, the music does sound great but it seems to be this cycle going between the audience and the band. ” Free of the trappings that denote most large concerts today, Live Baby Live puts the focus squarely on singer Michael Hutchence and the music of INXS. X followed up the worldwide breakout success of the Kick album in 1987 and the Wembley recording features a band reaching its commercial peak. The newly restored edition of the London concert, which was released digitally and on CD/vinyl earlier this month and hits theaters in December, features for the first time the group’s playing that night of the X deep cut “Lately, ” a performance previously thought lost. The group’s stature by that point allowed them to take some chances creatively on stage. “The thing about it was the band was so relaxed. We went out there and jammed to start the show. And [INXS drummer] Jonny [Farriss] running out by himself first without any of the rest of us, that wasn’t planned. So we all sort of came out and started jamming before he pulls the band in on the first chords and away we go. That’s what you do at a club, not a stadium show! ” said the guitarist. “And [‘Guns in the Sky’] wasn’t even a hit, ” recalled Farriss of the group’s opening cut that night. “Sure, it was a well-known song off the Kick album but, normally, in a stadium show, you might think about opening with a hit. But we just changed the set up a bit and had fun with it. Just seeing the audience really helped the band feel like, ‘This is gonna be fun…’” The fun the band appears to be having on stage during the Wembley concert is contagious. And director David Mallet managed to capture a warm exchange between Farriss and Hutchence for posterity. It happened during a particularly incisive rendition of “What You Need. ” Drummer Jon Farriss sets forth a funky beat as the band slows things down for a moment, stretching out to jam. Hutchence shimmies left, wrapping his right arm around his guitarist, and the two have an inaudible exchange during the embrace. Shortly thereafter, Hutchence, laughing, goads the guitarist to, “play the f—-ing riff, Timmy. ” Farriss, also laughing, responds in kind with a searing take on the song’s hook - and a measured word for Hutchence - pulling the band from the jam and back into the performance. “Well, it was kind of an inside joke. Because I came up to him and said, ‘Mike, this is the biggest f—-ing pub we’ve ever played. ’ And he turns around and says it to the audience, ” said Farriss. “So I said to him, ‘Why didn’t you tell them I said that? ’ So we were having a bit of a friendly gibe at each other during the night to egg each other on. It was a very, very warm moment between us, I have to admit. It was great. Michael and I did 95% of all of the interviews so we had a certain in joke between us, yes. We were having a fun night. ” UNITED KINGDOM - JUNE 01: WEMBLEY STADIUM Photo of Michael HUTCHENCE and INXS, Michael Hutchence... [+] (right) performing on stage (Photo by Fin Costello/Redferns) By the ‘91 Wembley show, Hutchence had established himself as the perfect rock combo of sex appeal and charisma with the substance and depth of the group’s catalog to back it all up. He was the rare frontman equally as adept at reaching fans in the front row as he was those at the back of the massive Wembley gathering or on screen in a theater. And he shines during Live Baby Live. “Well, you know, it’s a funny thing. I’ve heard people say that Michael could’ve fronted any band. And it’s like, ‘Well, I suppose… But he didn’t, ’” said Farriss of the late INXS frontman. “And the thing is that when he started singing with us, he really wasn’t the singer. He’d never really sung. He was a schoolkid. He’d messed around with poetry a little bit, ” he continued. “We all sort of grew up together. We were family. And we were all so different. And Michael evolved with us. And he saw his role as the frontman and he started to take that on from way early on. And he got better and better and better at it. And it was a wonderful thing to watch that flower open. ” Director Richard Lowenstein takes a deeper dive into Hutchence’s world in the new documentary Mystify: Michael Hutchence, a film which hits theaters for one night on January 7, 2020. “It’s interesting that Richard Lowenstein’s film Mystify came out about a really similar time to the Live Baby Live film. And that was kind of a coincidence - but a nicely timed coincidence, ” said Farriss. “Because, on the one hand, you see that that film is all about Michael - it’s really not to do with us - but then if you entail it with the live Wembley show, they go well together in a way. ” With rumors of a Broadway musical in the works, Mystify and Live Baby Live go a long way toward helping to secure the legacy of both Hutchence and INXS twenty-two years after the singer’s untimely passing. It’s a role Tim Farriss in particular has embraced. As Live Baby Live lands in theaters on December 9, Farriss has only one hope. “So I went to the cinema by myself and watched it. Which is kind of weird. Because there were so many people in the audience of the film I was watching and it was only me watching it [in the theater]. But I still clapped, ” joked the guitarist of his private screening. “I was actually blown away to be honest. It was a surreal experience. I’d seen it on television. But this was completely different, sitting in the cinema like you’re at a concert. I felt like I was watching our concert properly, like I was in the audience. I had never seen us like that. So it was wonderful. It just brought back so many memories of the night, ” Farriss said. “I’d love to be in a cinema incognito. In fact, when it comes out, I’m probably going to do that. And watch it and see what it’s like with other people watching it. Because I’m dying to see their reactions, you know? I just hope they play it loud. ” *** INXS: Live Baby Live Wembley Stadium is now available digitally and on CD/vinyl. The film hits theaters for one night only on December 9, 2019 courtesy of CinEvents / Eagle Rock Films / Fathom Events. To purchase tickets for screenings in your area, click HERE. *** Mystify: Michael Hutchence is now available and will be shown in theaters on January 7, 2020. To purchase tickets for screenings in your area, click HERE.

Wow, really awesome, great live. I was there. I'm the one in the white t-shirt and red shoes at 0:09. I was there, wish Michael was still here ❤. RIP Richard Ramirez. Damn still a great, great song. Like mentioned below it's too bad they did not stay together JD perfect at not replacing but respecting Michael. Wish they would get together and tour again. would be great. What a voice. Michael Hutchence, a incredible talent taken from us far too soon. He had it all, looks, charisma, imagination, song writing ability and a voice. One of the losses the rock and roll world will never recover from. Rest In Peace Michael. Thanks for the music.

Super banda. Todos os componentes pareciam se divertir no palco. Michael era um show a parte. Faz falta.

THE BEST GREAT VOICE SO GOOD FRONTMAN MICHAEL HUTCHENCE GREETINGS SINCE PERÚ

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⚝Without Registering⚝ Watch Stream INXS: Baby Live at Wembly Stadium